Lunedì 30 Luglio 2001
I've been whining for months, but last week I broke the rear hub of my Trek 820, effectively acknowledging that my bike had turned in fact in a piece of junk. Last Saturday I got myself a Specialized Hardrock FS Intl, of which I'm totally proud and happy, despite the fact I wished 900.000 liras would buy me more (eg. Judy fork, Deore group, better levers). I rode a couple of hours and I must say the front suspension makes it a breeze handling rough terrains and uneven trails: the bike follows the countour of the land and all of the rider's leg power is transfered to the wheels. I loved pushing to speeds I could not get on my old bike.
Bike shops make on me the same effect Santa's Toy Factory would make to a child: I want to touch everything, I'm intrigued by all those mechanisms, blown away by the beauty of the frames, seduced by the glimmering effects of shiny new bikes seductively posing on their stands, I'd buy everything... kust like a kid would do.
Venerdì 27 Luglio 2001
Mercoledì 25 Luglio 2001
Martedì 24 Luglio 2001
Allora io ero a Genova. Io ho visto.Non voltatevi dall'altra parte...
Non date retta ai giornali ed ai telegiornali.
È stata una cosa pazzesca, un massacro.
Lunedì 23 Luglio 2001
U2's concert was awesome. Chilling, dense, pure, damn good rock, crawling up your spine and clicking in your head like being shot at 200mph from a cannon, nothing of the techno-crap of the past pop-mart tour, just truthful sonic energy.
It started with Elevation, then Beautiful Day, Until The End Of The World, New Year's Day, and more that I can't remember. It was good, but the sound wasn't so fluid, it wasn't pulling you in so much, instead leaving me a little puzzled. But Where The Streets Have No Name flipped a switch: the energy doubled, the stage broke its bounds, everyone got sucked in and it felt like the stadium had contrapted: from then on my eyes stayed transfixed on the huge monitors hunging over the stage, the Edge's riff bouncing endlessly off the speakers, vivid colors splashing the crowd and song after song of musical ecstasy.
U2 played for almost 2 and a half hours, Bono was very moved by the crowd, so much it asked for "one more" to the band twice. Among the bis With or Without You, Pride and One. It was good.
Sabato 21 Luglio 2001
<meta name="MSSmartTagsPreventParsing" content="true"> to the head section of your pages.
Venerdì 20 Luglio 2001
Giovedì 19 Luglio 2001
Mercoledì 18 Luglio 2001
Lunedì 16 Luglio 2001
You know all those great plans for bank robberies? Those that involve high tech equipment that has been invariably stolen from top-secret government agencies; that see as protagonists smart-ass folks with square minds, athletic bodies (saved the black fat guy who stays at the radio and works at the computer to disable the alarm system), and great lines; plans that are not dreamt, rather carefully designed, then meticolously implemented, and finally benefit someone who had nothing to do with the Plan. That's Hollywood.
Pan all the way left to where I am. No need for punchy lines, A-class hardware or elegant film cutting: my plan, the Plan, is very simple, but incredibly effective.
Now, there's this truck that sports a nice Algida painting on its sides that every two days manages to be in front of me while riding to work (where else!). I also happen to have one of those waterguns of the 90's, kinda nice and alien, some thirty seconds of pumping get you several shots at more than 10 meters. I'll be Robinhoodesque and steal only a box of cornettos, because the scooter can't carry much more, and besides, how fast can I eat all that? The trick is at getting side by side with the truck at the traffic light. Then fire, wait for the guy to jump out enraged, run away, whistle to my pal hidden in the bushes... wait a minute. What kind of a Plan is it if I need an accomplice? Uhm... anyone volunteers?
Venerdì 13 Luglio 2001
Mercoledì 11 Luglio 2001
Lunedì 9 Luglio 2001
i can't post when i've got so much work to do. i'll be in verona tomorrow. the end of x-files was disappointing, but the first episodes will air next sunday. incidentally, friday night on italia1 i think i watched two horrible movies (a special squad type, only with a bunch of californian blonde models straight out the discarded from baywatch cast selections; and a horror/police/romantic/doublegame one) and i really hope wainer saw them because they were exeptionally trash. vivident green mints don't last as long as they used to. solid ground is a cornetto algida (or a sammontana cinquestelle). riding 50kms on a bike as first attempt of the season guarantees tiredness the day after. but the view was worth it. i shortened my swimming pool training due to a meeting. and put lunch on stand-by. i read the whole assembler thread on metafilter. i don't know. i don't have time to save the google cache. i realized i am going to u2's concert. really!!! i need a quick dhtml/css outline menu. i still have tons of work. just remember: the answer is 42.
Venerdì 6 Luglio 2001
Giovedì 5 Luglio 2001
I'M ON DRUGS!!!!riding to work, and after drinking the usual morning coffee, I slam dunked the empty paper cup on the head of a colleague (you should have seen his face) and smoothly placed it in the dustbin. YEAH!!!!
Mercoledì 4 Luglio 2001
I started reading Italian weblogs after an article by Vx. Now she blogs no more. And now I'm thinking: are they sticking to it? Do we blog just because it's cutting edge, trés cool, hip and fashionable (and that means we can quit any moment), or do we really need to let something out? And is this really the only way to do it? Or the best?
I am writing to leave a little trace of these days. i like to remember how they went by in their uneventfulness. I like to leave hooks that my feeble memory will use to reinvent (much more than reconstruct) my past. documenting the days that go by might seem stupid and even a waste of time. most of the time these words only have a meaning for a close circle of friends. i am not using blogging as a journalist tool so there's little point in pretending this has a value other than the gratification of writing and re-reading it. but this documentation of one's life is part of a network document whose borders blur in the collective sharing, hinting, and commenting of many lives, a sort of multidimensional diary. it's also a personal think-thank, a place where ideas take shape, and goals are set; when projects stand out for being neglected its public nature pushes me to resume them. So my question is: once you get used to it, can you let it go? Where do you turn to vent your uneasiness or screaming sense of being?
If you feel like, you can tell me.
Martedì 3 Luglio 2001